CREATIVE WORKS
PROJECT MANAGEMENT
WRITING & CURATION
Duo artist exhibition featuring paintings by Wanying Jin and photography by Evelyn Sosa.
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Space 776, New York & Artsy
Curation
在黄小鹏的问题（“误译”也可看作是问题的集合）背后，严肃和玩笑之间总是存在滑动和错位
Read on Artforum China
Artforum China
Exhibition Review
Melissa McGill’s site-specific project in Venice honored the local maritime culture and history while literally raising red flags about the ecological threats and heavy tourism dooming the city and its people.
Read on the Brooklyn Rail
The Brooklyn Rail
Exhibition Review
Solo exhibition of Nina Klein, who tackles the long-time myth of sex and gender through enimagatic abstract paintings.
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Space 776, New York & Artsy
Curation
Here I am, standing on Fifth Avenue just across from Apple’s recently reopened Batcave of a store and chasing a liquid, care-free form as it flies in and out of the midtown skyscrapers surrounding us.
Read on Brooklyn Rail
The Brooklyn Rail
Art Criticism
The body, even when broken or vanished, serves as a record of how institutional power shapes and impacts one’s existence.
Read on Brooklyn Rail
The Brooklyn Rail
Exhibition Review
太空似乎变成了一片自由的、可被人类随意使用和占领的新大陆。
Read on Artsy China
Artsy
Art Critcism
Like all of Lucas’s work, it is as poetic as it is vulgar, as sincere as it is ironic, as empowering as it is depressing, and as meaningful as it is mundane.
Read on Brooklyn Rail
The Brooklyn Rail
Exhibition Review
Li Shuang has never stopped questioning what technology and globalization mean for individuals in her art.
Read on ArtAsiaPacific
ArtAsiaPacific
Artist Interview
Fun, twisted and contradictory—qualities that shine through in Wong Ping’s short animated films, installations, and my conversation with the artist.
Read on ArtAsiaPacific
ArtAsiaPacific
Artist Interview
借波士顿当代艺术博物馆的大展“互联网时代的艺术——1989至今” ，浅谈互联网、艺术、历史与“变革”
Read on MuseumReview
《博物馆评论》
Exhibition Review, Art Criticism
Have a Nice Day is a stark, ruthless, and true-to-life movie about people living on the urban-rural fringe of China today.
Read on Hyperallergic
Hyperallergic
Film Review
Guillermo del Toro’s latest film, about a mute cleaning woman who liberates and falls in love with a humanoid amphibian monster, is intimate in scale but tells a potent story of empowerment.
Read on Hyperallergic
Hyperallergic
Film Review
纽约，十月——古根海姆美术馆被一个庞然大物所占领
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《博物馆评论》
Exhibition Review
Even as a top-of-the-line party that offers a gateway into China, the exhibition is undeniably a towering monument of nostalgia rather than the flying banner of a glorious revolution.
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Translation, Exhibition Review
A retrospective at the MCA Chicago charts the many strands of Murakami’s painting practice, from his early Nihonga style to recent Buddhist iconography.
Read on Hyperallergic
Hyperallergic
Exhibition Review
At a screening of his work at the New Museum, the artist failed to acknowledge the privilege that lets him reduce violence to an aesthetic form.
Read on Hyperallergic
Hyperallergic
Art Criticism
Two films made almost 50 years apart use silent shots of landscapes to examine the conditions that drove two young people to criminality.
Read on Hyperallergic
Hyperallergic
Art Criticism
The barbershop was just a “subterfuge.” What was hidden behind the shop was a control room surveilling Times Square.
Read on Cultbytes
Cultbytes
Art Review
This is an excerpt from my presentation at symposium “Cultural Melting Bath: New Work on Contemporary Art and the Environment in Japan and Beyond,” held at University of Chicago on Jan. 19, 2016.
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University of Chicago
Academic Research, Symposium Presentation